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PAINTING·WHITE DWARF 488

Blood Angels by Sam Pearson

May 2023·pp. 74–75

THE SHORT VERSION

Sam Pearson ties his Second Company to an ongoing war against Nick Horth’s Death Guard, making the fate of his invented Captain depend on the campaign finale. Traditional red armour and company markings keep the army recognisable, while classic components mix with Primaris bodies for personal Tactical and Assault units. His recipes cover red plate, black weapons and pale Baal bases.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Mephiston RedVolupus PinkEvil Sunz ScarletWild Rider RedCadian FleshtoneAbaddon BlackStormhost SilverZandri DustScreaming Skull

Only explicitly named paints used in the feature are indexed.

FOLLOW A THREAD

Second Orthic War Captain Seraphiel Conversions Red armour

Back to the original

Find this article in White Dwarf 488, pp. 74–75.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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CommunityWD 488 · pp. 4–7

Contact!

Tom Strutton turns painted miniatures into a photorealistic coloured-pencil still life, connecting his established art practice with a renewed enthusiasm for Warhammer. Readers also ask about a classic Iyanden Farseer and Nagash fiction. Grombrindal’s response to questions about his own temperament adds humour to a gallery of models from several games.

Warhammer 40,000Age of Sigmar
May 2023Read summary
PaintingWD 488 · p. 5

Painting Question: Some Classic Iyanden Colours

The studio translates the palette of an older Iyanden Farseer into the contemporary Citadel range. Separate recipes distinguish neutral black cloth from colder blue-highlighted black armour, while brown shading keeps yellow areas warm. Pale crystalline blades progress through blue-green shading to sharp white highlights, preserving the model’s striking contrast without claiming these were the original historical paints.

Warhammer 40,000Aeldari15 paint colours
May 2023Read summary
CampaignWD 488 · pp. 8–11

Worlds of Warhammer: Online Narrative Campaigns

Leila Craven draws on organising a campaign for more than three hundred players to explain long-distance shared storytelling. Teams, capped submissions and manageable rounds let games, painting, fiction and art contribute without an early runaway winner. A common setting and broad motives create coherence, while narrative updates acknowledge army actions without taking control of other players’ characters. Plot-hook tables offer starting conflicts for either setting.

Age of SigmarWarhammer 40,000
May 2023Read summary