CommunityWD 488 · pp. 4–7
Tom Strutton turns painted miniatures into a photorealistic coloured-pencil still life, connecting his established art practice with a renewed enthusiasm for Warhammer. Readers also ask about a classic Iyanden Farseer and Nagash fiction. Grombrindal’s response to questions about his own temperament adds humour to a gallery of models from several games.
Warhammer 40,000Age of Sigmar
PaintingWD 488 · p. 5
The studio translates the palette of an older Iyanden Farseer into the contemporary Citadel range. Separate recipes distinguish neutral black cloth from colder blue-highlighted black armour, while brown shading keeps yellow areas warm. Pale crystalline blades progress through blue-green shading to sharp white highlights, preserving the model’s striking contrast without claiming these were the original historical paints.
Warhammer 40,000Aeldari15 paint colours
CampaignWD 488 · pp. 8–11
Leila Craven draws on organising a campaign for more than three hundred players to explain long-distance shared storytelling. Teams, capped submissions and manageable rounds let games, painting, fiction and art contribute without an early runaway winner. A common setting and broad motives create coherence, while narrative updates acknowledge army actions without taking control of other players’ characters. Plot-hook tables offer starting conflicts for either setting.
Age of SigmarWarhammer 40,000