In the Spotlight: The Huntspinney of Sequoyya
November 2021·pp. 8–9
THE SHORT VERSION
Jimbo Warth draws on Californian redwood forests for his Sylvaneth, combining warm bark with pale, weathered highlights. Real twigs, leaves and other natural materials make the bases part of the forest, while repeated orange and sepia glazes bring the varied tree-creatures into one coherent collection.
AT THE PAINTING DESK
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Find this article in White Dwarf 470, pp. 8–9.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.