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PAINTING·WHITE DWARF 453

Painting Ghazghkull

April 2020·pp. 82–83

THE SHORT VERSION

Max Faleij explains the carefully differentiated blacks and metallic finishes used on Ghazghkull’s huge armour, alongside red details and worn surfaces. Recipes and practical advice on glazes, rust and verdigris help reproduce the studio effect while keeping each material visually distinct on an otherwise dark model.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Abaddon BlackCaliban GreenCastellan GreenCelestra GreyContrast MediumCorax WhiteDark ReaperDoombull BrownElysian GreenEvil Sunz ScarletGore-grunta FurIncubi DarknessIron WarriorsKabalite GreenKhorne RedKrieg KhakiLeadbelcherMephiston RedMournfang BrownNaggaroth NightNihilakh OxideNuln OilPhalanx YellowRhinox HideSkarsnik GreenSotek GreenStormhost SilverUngor FleshWarplock BronzeWord Bearers RedWyldwoodWaaagh! FleshAverland Sunset

Only explicitly named paints used in the feature are indexed.

EXPLORE RELATED TOPICS

Painting armour Painting metal Painting techniques

Back to the original

Find this article in White Dwarf 453, pp. 82–83.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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CommunityWD 453 · pp. 4–7

Contact!

Readers share long experience in the hobby, photographs and questions about painting, background and games. The replies include efficient Dark Angels colours, a detailed green-tiled basing recipe and discussion of Genestealers, while Walter Nunziati’s dark-armoured Stormcasts receive the month’s model award.

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