Blood for the Blood God!
April 2020·pp. 110–111
THE SHORT VERSION
James distinguishes wet blood from dried, accumulated gore and considers how each mark arrived on the model. Demonstrations cover directional splatter, stained cloth, glossy red armour over gold and layered flowing blood, combining Technical and Contrast colours with conventional highlights for depth and convincing texture.
AT THE PAINTING DESK
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EXPLORE RELATED TOPICS
Back to the original
Find this article in White Dwarf 453, pp. 110–111.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.