AN INDEPENDENT WARHAMMER REFERENCE ARCHIVE ONLINE // EST. M026
Index Obscura.THE WHITE DWARF ARCHIVE

INTERVIEW·WHITE DWARF 446

Designing the Corvus Cabal

September 2019·p. 72

THE SHORT VERSION

Leaping poses and bird-skull ornaments portray fighters who perform beneath their carrion god’s gaze. Their elevated, energetic silhouettes make the relationship between religious spectacle and predatory violence visible in the sculpts.

FOLLOW A THREAD

Back to the original

Find this article in White Dwarf 446, p. 72.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

KEEP EXPLORING

Another page to turn.

Back to the archive →
InterviewWD 446 · pp. 70–73

When Six Tribes Go to War

Maxime describes how the six initial Warcry warbands were given distinct shapes, equipment and body language. Their different cultures are visible in armour weight, elaborate masks, animal symbolism and ritual mutilation, giving players recognisable identities even before a paint scheme is applied.

Warcry
September 2019Read summary
InterviewWD 446 · p. 71

Designing the Iron Golem

Heavy armour and closed helmets suggest anonymous industrial brutality. The duardin fighter’s scale, beard and chainmail reinforce the group’s grounded weight, distinguishing these disciplined metalworkers from the more fluid silhouettes of rival tribes.

WarcryIron Golem
September 2019Read summary
InterviewWD 446 · p. 71

Designing the Untamed Beasts

Bone, fur and exposed physiques communicate rejection of civilisation and its forged materials. The models emphasise hunters and fierce physical fighters, making the warband’s creed readable through weapons, clothing and stance.

WarcryUntamed Beasts
September 2019Read summary