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PAINTING·WHITE DWARF 443

Volcanic Desert

June 2019·p. 25

THE SHORT VERSION

Red cracking earth over brown creates a warmer variation on the arid base. A dark wash and orange drybrush pick out the broken surface, while small snow patches provide a striking environmental contrast within Ghur’s varied terrain.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Rhinox HideMartian IronearthAgrax EarthshadeJokaero OrangeValhallan Blizzard

Only explicitly named paints in this individual contribution are indexed.

EXPLORE RELATED TOPICS

Painting techniques

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Find this article in White Dwarf 443, p. 25.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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ShowcaseWD 443 · pp. 6–7

Readers’ Models: Mark Korogiannis

Mark’s Nurgle collection shows how bright undercoats, thin layers and careful shading can make diseased models both vivid and richly detailed. He explains the appeal of the older Chaos books and stresses patient attention even on gaming pieces, with tutorials and diluted shading continuing to improve his work after decades of painting.

Warhammer 40,000Age of SigmarMaggotkin of Nurgle2 paint colours
June 2019Read summary
LoreWD 443 · pp. 8–11

Worlds of Warhammer: Elemental Gods

Phil distinguishes primordial gods from beings that ascended from mortal origins, focusing here on Chaos and Gorkamorka. Their nature, worshippers and affinities with particular realms show how cosmic forces drive stories while remaining recognisable through the ambitions and emotions of ordinary followers.

Age of Sigmar
June 2019Read summary
FictionWD 443 · pp. 14–17

Reignition

Bael-Grimnir seeks the certainty of battle amid uncertainty about his lodge’s future. A reckless confrontation with Bonesplitterz forces him to depend on help he had resisted, and the return to his family suggests that accepting change may be as necessary as preserving Vostarg tradition.

Age of SigmarFyreslayers
June 2019Read summary