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PAINTING·WHITE DWARF 443

Tobias Tebring’s Ironjawz

June 2019·p. 21

THE SHORT VERSION

Tobias imagines Ironjawz from arid deserts, combining drab metal with a restrained skin treatment. Pale green flesh shaded with a diluted green wash and warmed around the extremities makes the orruks look natural within their harsh surroundings while remaining quick to reproduce.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Agrellan EarthBiel-Tan GreenBugman’s GlowIronbreakerLahmian MediumLeadbelcherNuln Oil

Only explicitly named paints used in the feature are indexed.

EXPLORE RELATED TOPICS

Painting techniques

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Find this article in White Dwarf 443, p. 21.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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ShowcaseWD 443 · pp. 6–7

Readers’ Models: Mark Korogiannis

Mark’s Nurgle collection shows how bright undercoats, thin layers and careful shading can make diseased models both vivid and richly detailed. He explains the appeal of the older Chaos books and stresses patient attention even on gaming pieces, with tutorials and diluted shading continuing to improve his work after decades of painting.

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LoreWD 443 · pp. 8–11

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FictionWD 443 · pp. 14–17

Reignition

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June 2019Read summary