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PAINTING·WHITE DWARF 438

Golden Demon: Acastus Knight Porphyrion

January 2019·p. 79

THE SHORT VERSION

John paints the Knight’s red armour brighter than the intended result so weathering and varnish can darken it without losing life. Oil washes weather the skeleton, sequential coloured airbrushing marks overheated barrels and transfers are sealed before scratches are added. The judges focus on maintaining consistent scale across such a large model.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Seraphim SepiaCarroburg CrimsonDruchii VioletDrakenhof NightshadeAbaddon Black

Only explicitly named paints used in the feature are indexed.

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PaintingWD 438 · p. 6

Painting Question: Seeing Red (and Black)

Jay Goldfinch identifies the pictured Skitarii as Stygies VIII and recommends completing and washing the metals before blocking in the main colours. Separate small recipes cover black robes, a blue undersuit and red armour. The advice lets a reader reproduce a specific kill-team scheme without guessing its colours from the photograph.

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InterviewWD 438 · pp. 10–13

Worlds of Warhammer: Building Worlds in Small Stories

Phil Kelly explains the exchange between writers, sculptors, artists and rules designers that turns new miniatures into inhabitants of established settings. Short vignettes offer accessible glimpses of those worlds rather than a single exhaustive account. He uses the planned sequence of Malign Portents stories and the expanding Vigilus narrative to show how small perspectives build a larger history.

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January 2019Read summary
PaintingWD 438 · pp. 40–41

Painting Your Armies: Aqshy

A burnt Dryad, glowing Fyreslayers and Chris Peach’s mixed Freeguild collection demonstrate several ways to communicate Aqshy. The examples range from blackened feet and autumnal leaves to skin and weapons that appear permanently aflame. Shared warm accents can unite an army without requiring every model or base to be red and orange.

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January 2019Read summary