’Eavy Metal Masterclass: Painting Markings on Beasts and Monsters
May 2018·pp. 36–39
THE SHORT VERSION
Martin Peterson develops natural-looking eel markings from animal references and the army’s palette. Smooth skin gradients precede an irregular pale pattern, with shading and highlights then applied across both; related fin colours and a contrasting metallic weapon keep the completed mount and rider visually connected.
AT THE PAINTING DESK
Paints in this article
Every named colour below is searchable across the archive.
EXPLORE RELATED TOPICS
Back to the original
Find this article in White Dwarf 430, pp. 36–39.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.