Painting the Great Unclean One

THE SHORT VERSION

Chris Innes describes the Great Unclean One as a cheerful centrepiece whose diseases should be vivid rather than uniformly muddy. Smooth blending suggests rubbery skin, glazes deepen greasy fat, pale edges make torn flesh look dead, and repeated pink and purple accents form visual triangles that guide the eye around the enormous figure.

Back to the original

Find this article in White Dwarf 426, p. 99.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.