First and Only

THE SHORT VERSION

Stuart Edney talks with Dan Abnett about the origins of Gaunt’s Ghosts and the long process of sustaining a large, changing cast. Abnett discusses the tension between satisfying character development and war’s arbitrary losses, the notes needed to preserve continuity, and how writing The Warmaster renewed his enthusiasm after an exceptionally demanding period of output.

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Find this article in White Dwarf 426, pp. 30–35.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.