Aelves of the Black Sloth Hell
December 2017·pp. 138–141
THE SHORT VERSION
Jake Ozga combines the characterful conversion approach of his Inquisitor projects with an isolated aelven warband trapped in a corrupted swamp. Degraded forms, masks and contrasting pale flesh replace conventional elegance, while varied textures and natural hues create an oppressive atmosphere at the boundary between Ghur and Shyish.
AT THE PAINTING DESK
Paints in this article
Every named colour below is searchable across the archive.
FOLLOW A THREAD
Back to the original
Find this article in White Dwarf 425, pp. 138–141.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.