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MODELLING·WHITE DWARF 425

Aelves of the Black Sloth Hell

December 2017·pp. 138–141

THE SHORT VERSION

Jake Ozga combines the characterful conversion approach of his Inquisitor projects with an isolated aelven warband trapped in a corrupted swamp. Degraded forms, masks and contrasting pale flesh replace conventional elegance, while varied textures and natural hues create an oppressive atmosphere at the boundary between Ghur and Shyish.

AT THE PAINTING DESK

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Find this article in White Dwarf 425, pp. 138–141.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.