AN INDEPENDENT WARHAMMER REFERENCE ARCHIVE ONLINE // EST. M026
Index Obscura.THE WHITE DWARF ARCHIVE

PAINTING·WHITE DWARF 423

Reader Question: Stippling

October 2017·p. 122

THE SHORT VERSION

Aidan Daly explains dots built in progressively smaller areas, with glazes available to soften transitions. Fine dots suggest material texture, while broader dry stippling gives large feathers a faster, rougher pattern.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Pink Horror

Only paints explicitly named in this feature are indexed.

EXPLORE RELATED TOPICS

Painting techniques

Back to the original

Find this article in White Dwarf 423, p. 122.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

KEEP EXPLORING

Another page to turn.

Back to the archive →
PaintingWD 423 · p. 92

Oh So Orange

A white foundation makes the machines’ orange bright before diluted red deepens the colour. Yellow and historical white pick out raised detail, providing a simple recipe behind a much more complicated collection of conversions.

Warhammer 40,000Gretchin5 paint colours
October 2017Read summary
PaintingWD 423 · pp. 120–121

Paint Splatter: Typhus

Natalie Slinn starts with green undercoat and treats armour, metals, cloth, flesh and flies as different surfaces. Layered greens and pale cloth frame the corroded body, while selective washes and highlights carry the method through horns, exposed flesh and the dark weapon.

Warhammer 40,000Death Guard32 paint colours
October 2017Read summary
PaintingWD 423 · pp. 122–123

Paint Splatter: Plague Marine Champion

Natalie Slinn pairs pale bone armour with muted green and separate rusty mail and pitted brass. Gloss shades distinguish the metals; thin rust streaks add damage, and recipes for the Nurgling, fumes, blade and face finish the model without making every surface equally dirty.

Warhammer 40,000Death Guard36 paint colours
October 2017Read summary