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PAINTING·WHITE DWARF 422

Bloodcrushers

September 2017·p. 132

THE SHORT VERSION

Jay Goldfinch balances high-quality highlights with a practical painting pace, leaving room for future red-armoured additions by keeping the riders’ flesh more neutral. Cool blue glows contrast with the warm figures, and separate riders and Juggernauts make awkward surfaces accessible before final assembly.

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Find this article in White Dwarf 422, p. 132.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.