Art of the Dark Millennium
September 2017·pp. 38–41
THE SHORT VERSION
John Blanche describes medieval superstition, servitude and fear as essential to the imagery, with art providing worlds and context for the miniatures. Igor Sid discusses honouring the classic Crimson Fists composition, while small spot illustrations are recognised as crucial contributors to the setting’s oppressive character.
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Find this article in White Dwarf 422, pp. 38–41.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.