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INTERVIEW·WHITE DWARF 419

The Dance of Midnight

June 2017·pp. 132–135

THE SHORT VERSION

Harvey Snape turns a Solitaire painting project into a complete Masque of the Midnight Sorrow, drawn by the Harlequins’ ritual identities and the challenge of widespread freehand diamonds. A staged grid-and-diagonal method explains the patterns on suits and vehicles, while darker red-blue colours and separately painted riders keep the ambitious project coherent before he considers related Aeldari allies.

AT THE PAINTING DESK

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Find this article in White Dwarf 419, pp. 132–135.

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