Mel’s Alarielle

THE SHORT VERSION

Mel describes painting Alarielle in separate components so that a large, intricate model remains manageable. Beginning with the goddess and her wings establishes the focal point, and a white undercoat, washes and drybrushing bring out the sculpted detail before any selective edge highlights are added.

AT THE PAINTING DESK

Paints in this article

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Corax White↗

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Back to the original

Find this article in White Dwarf 417, p. 148.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.