The Lord of Ultramar
March 2017·pp. 56–59
THE SHORT VERSION
Simon Adams reposes Guilliman into a commanding figure addressing the people of Terra rather than fighting. Custodian attendants establish scale and connect the scene to classic Imperial artwork, while an onyx aquila and restrained gold framing direct attention to the Primarch’s face and burning sword; Adams explains how story, composition and colour make a diorama work.
EXPLORE RELATED TOPICS
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Find this article in White Dwarf 416, pp. 56–59.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.