Orruk Warchanter
December 2016·p. 137
THE SHORT VERSION
Tom Moore reverses the studio flame scheme and lets metallic chips define the black armour’s edges. Brown dirt and rust complete an effect that keeps the favourite sculpt’s face framed by horns and spikes.
AT THE PAINTING DESK
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Find this article in White Dwarf 413, p. 137.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.