Paint Splatter: Layering and Highlighting
October 2016·pp. 120–121
THE SHORT VERSION
The tutorial separates an all-over layer from raised highlights and fine edge lines, then uses a Deathwatch model to demonstrate progressively brighter accents on black. Paul Norton advises broad intermediate highlights and thin flowing paint, with the brightest spots reserved for corners that suggest polished surfaces catching light.
AT THE PAINTING DESK
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Back to the original
Find this article in White Dwarf 411, pp. 120–121.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.