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COMMUNITY·WHITE DWARF 403

Wraithlord in the Library

July 2013·p. 61

THE SHORT VERSION

Eddie Eccles devotes substantial time to his Harlequin display. A converted Wraithlord uses Dark Eldar spares to distinguish it from standard craftworld models. Work also advances on the accompanying troupe. The update emphasises how enthusiasm for a current project can sustain both conversion work and painting.

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Armies on Parade Wraithlord conversion Black Library Harlequin troupe

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Find this article in White Dwarf 403, p. 61.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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EditorialWD 403 · p. 1

Opening Salvo

Jes Bickham introduces Apocalypse as an opportunity to use whole collections in spectacular battles. Giant new models and substantial scenery give that ambition a physical form. The team expands its armies before fighting a large siege. The issue’s painting and design material follows those preparations from individual models to an entire fortified battlefield.

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ReviewWD 403 · pp. 6–9

Khorne Lord of Skulls

Andrew Kenrick finds the tracked Daemon Engine both enormous and straightforward to assemble. Khorne symbols, layered armour and countless skulls tie it to the existing Chaos range. Several head and gun options allow different arrangements of the same menacing silhouette. The fold-out introduces the machinery and weapons behind its single-minded battlefield purpose.

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July 2013Read summary
ReviewWD 403 · pp. 10–12

Necron Tesseract Vault

A star god struggles at the centre of a vast, partly disassembled metal prison. Canoptek creatures continually repair the damage it causes, making the kit’s structure part of its story. Forty loose Scarabs allow collectors to add activity around the exterior. Jes sees the Vault as a dramatic centrepiece that remains surprisingly simple to construct.

Warhammer 40,000Necrons
July 2013Read summary