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INTERVIEW·WHITE DWARF 403

Let the Apocalypse Begin!

July 2013·p. 150

THE SHORT VERSION

Phil Kelly likens Apocalypse to the climactic action of a vast war film. Strategic Assets provide reversals, while Divine Intervention and disasters make the battlefield feel unstable. A gamesmaster can fit those effects into a story and keep a large group moving. The emphasis remains on a memorable shared spectacle alongside the destruction of models.

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Apocalypse design Divine Intervention Strategic Assets Unnatural Disasters Gamesmaster

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EditorialWD 403 · p. 1

Opening Salvo

Jes Bickham introduces Apocalypse as an opportunity to use whole collections in spectacular battles. Giant new models and substantial scenery give that ambition a physical form. The team expands its armies before fighting a large siege. The issue’s painting and design material follows those preparations from individual models to an entire fortified battlefield.

Warhammer 40,000
July 2013Read summary
ReviewWD 403 · pp. 6–9

Khorne Lord of Skulls

Andrew Kenrick finds the tracked Daemon Engine both enormous and straightforward to assemble. Khorne symbols, layered armour and countless skulls tie it to the existing Chaos range. Several head and gun options allow different arrangements of the same menacing silhouette. The fold-out introduces the machinery and weapons behind its single-minded battlefield purpose.

Warhammer 40,000Chaos Space Marines
July 2013Read summary
ReviewWD 403 · pp. 10–12

Necron Tesseract Vault

A star god struggles at the centre of a vast, partly disassembled metal prison. Canoptek creatures continually repair the damage it causes, making the kit’s structure part of its story. Forty loose Scarabs allow collectors to add activity around the exterior. Jes sees the Vault as a dramatic centrepiece that remains surprisingly simple to construct.

Warhammer 40,000Necrons
July 2013Read summary