Glenn’s Wraithknight
June 2013·pp. 114–115
THE SHORT VERSION
Glenn divides the large model into legs, torso and two arms for painting. Masked connection points preserve clean plastic for final assembly. Blue edges define black armour, while several thin coats build bright yellow markings and pale wraithbone over the dark foundation. The same approach carries into the sharply masked chevrons on his Hemlock.
AT THE PAINTING DESK
Paints in this article
Every named colour below is searchable across the archive.
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Back to the original
Find this article in White Dwarf 402, pp. 114–115.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.