Exalted Vermin Lord

THE SHORT VERSION

Keith Robertson deliberately keeps the monster’s skin pale so its warpstone becomes the main focal point. Bright green stones are followed by diluted applications of similar colours on nearby flesh. That relationship suggests emitted light rather than merely contrasting decoration. The short discussion identifies the glazing medium and explains the effect’s purpose without naming the green paints.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Lahmian Medium↗

Lahmian Medium is the only named product; the green colours are described generically.

Back to the original

Find this article in White Dwarf 400, p. 112.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.