InterviewWD 399 · pp. 78–79
Neil Green nominates Urien Rakarth for the range of textures that made painting him especially satisfying. He also values the miniature’s fidelity to Jes Goodwin’s concept. Juan Diaz recalls a difficult collaborative sculpting process, including new drawings for the back and adjustments needed for casting. The account presents the result as a shared design whose tightly controlled pose required unusual care from the beginning.
Warhammer 40,000Drukhari
InterviewWD 399 · pp. 142–143
John Blanche traces Daemon imagery from the original Realm of Chaos drawings to the current plastic ranges. Early themes, punk influences and collaboration with sculptors gradually establish the gods’ followers. Distinct colours reinforce their anatomy, while full battle scenes communicate a scale that individual figures cannot. The interview explains how old concept sketches still shape both books and miniatures decades later.
Warhammer Fantasy BattlesWarhammer 40,000Daemons of Chaos
InterviewWD 399 · p. 144
Aly Morrison and Colin Grayson divide the Burning Chariot between creatures, magical support and the disc. Surfing on a wave of energy solves the awkward problem of physically yoking Screamers. Compatibility with existing Horrors and Screamers encourages further conversions. Spare frame space becomes an opportunity for additional heads and accessories, including the returning moon face from earlier Chaos imagery.
Warhammer Fantasy BattlesWarhammer 40,000Daemons of Chaos