Painting Daemonettes of Slaanesh
March 2013·p. 113
THE SHORT VERSION
Adam establishes metallic, purple and green areas before applying one violet wash over the model. This ties the materials into a shared cold palette while keeping the process short. He suggests changing hair colours when expanding the collection so different units remain identifiable. The sequence illustrates another way of placing details before an overall shade.
AT THE PAINTING DESK
Paints in this article
Every named colour below is searchable across the archive.
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Back to the original
Find this article in White Dwarf 399, p. 113.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.