AN INDEPENDENT WARHAMMER REFERENCE ARCHIVE ONLINE // EST. M026
Index Obscura.THE WHITE DWARF ARCHIVE

PAINTING·WHITE DWARF 384

Modelling Workshop: Skullvane Manse

December 2011·pp. 78–83

THE SHORT VERSION

Chris Peach paints the observatory by working from its largest material towards the smallest details: sprayed stone, brickwork, wood, roof tiles and fittings. The separate dome receives weathered gold, while varied washes and selectively coloured tiles avoid a uniform new-building appearance. Final dirt, droppings and a reflective telescope lens turn the finished terrain into an occupied but neglected structure.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Chaos BlackBadab BlackBleached BoneBlood Angels RedCamo GreenChainmailCharadon GraniteCodex GreyDark Angels GreenFortress GreyGraveyard EarthGryphonne SepiaHawk TurquoiseKhemri BrownMechrite RedMithril SilverNecron AbyssOgryn FleshRotting FleshScorched BrownShadow GreyShining GoldSkull WhiteSpace Wolves GreyTin BitzBurnished GoldBestial BrownDevlan MudAsurmen BlueMordian BlueAstronomican Grey

Includes paints named in the materials list and in the later recipes. Blood Angels Red is printed in the materials list but is not used in a stated step; its historical wording is preserved.

EXPLORE RELATED TOPICS

Painting techniques Terrain & battlefields

Back to the original

Find this article in White Dwarf 384, pp. 78–83.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

KEEP EXPLORING

Another page to turn.

Back to the archive →
EditorialWD 384 · Inside cover

Editorial

Andrew Kenrick reviews a year of new armies, monsters and the magazine’s complete Sisters of Battle Codex. December revisits those developments through binding scrolls, Apocalypse formations, a Necron campaign and large-model painting. Blood in the Badlands introduces the studio’s campaign and siege rules, while three battle reports test the year’s releases in different games.

Warhammer Fantasy BattlesWarhammer 40,000
December 2011Read summary
InterviewWD 384 · p. 13

An Interview with William King

William King explains his return through Blood of Aenarion and a trilogy that follows Tyrion and Teclis from inexperienced youths to established heroes. High Elf glamour and epic history coexist with political intrigue, violence and dark humour. He also previews Angel of Fire, shifting to the human scale of an Imperial Guard tank crew caught in the Macharian Crusade.

Warhammer Fantasy BattlesWarhammer 40,000High Elves
December 2011Read summary
LoreWD 384 · pp. 14–19

Denizens of the Forest Depths

Under a fictional commission from Boris Todbringer, Simon Grant describes the threat hidden inside the Empire’s forests. Beastmen resent human civilisation and organise warherds around strength, with Gors, Ungors, elite Bestigors, Minotaurs and protected Bray-Shamans occupying different places. The account challenges the Empire’s assumption that scattered forest creatures cannot threaten fortified settlements and introduces the immense monsters that follow their armies.

Warhammer Fantasy BattlesBeastmen
December 2011Read summary