’Eavy Metal

THE SHORT VERSION

Joe Tomaszewski describes a studio team whose figures must work as armies, individual models and enlarged photographs. Research with sculptors and writers gives a range its identity, while shared experimentation develops new techniques without individual egos dominating. Favourite models demonstrate freehand, colour theory, non-metallic metal and subtle lighting, and John Blanche recalls how the column’s name became the painters’ collective identity.

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Find this article in White Dwarf 384, pp. 74–77.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.