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PAINTING·WHITE DWARF 365

Straps

May 2010·p. 99

THE SHORT VERSION

Dark brown mixed with black establishes the recesses between the straps and surrounding equipment. Brown and bone mixtures then pick out their raised surfaces and edges in two controlled stages. The brief sequence offers a neutral worn material that remains distinct from both red armour and green flesh, demonstrating how even a small accessory should contribute to the finished model’s overall colour balance.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Scorched BrownChaos BlackBleached Bone

Only explicitly named Citadel paints and mediums are indexed; unnamed colours and third-party products are not guessed.

EXPLORE RELATED TOPICS

Layering & highlighting Painting cloth & leather Painting techniques

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Find this article in White Dwarf 365, p. 99.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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Battle reportWD 365 · p. 13

The Battle for Quenelles

Andy Hall reports an unusually large recreation of the Red Pox attack on Quenelles, with eight Bretonnian dukes facing five Skaven lords. Alessio Cavatore coordinated the game, whose decisive massed cavalry charge gave the Bretonnians victory. Hall nevertheless claims a local success for the Skaven after his Plague Monks reached the walls, illustrating how a narrative mega-battle can produce memorable achievements even for the losing side.

Warhammer Fantasy BattlesBretonnia
May 2010Read summary
PaintingWD 365 · p. 25

Painting Knights of Dol Amroth

Duncan Rhodes gives a compact sequence for the Swan Knights’ polished metal, strong blue cloth and cool white heraldry. Black and blue washes define the armour before silver highlights, while progressively lighter blue layers distinguish the cloth. White begins from a grey foundation to retain shadows, with warm flesh and brown leather finishing the model; the shield repeats the same palette to keep the mounted regiment coherent.

War of the RingMiddle-earth Strategy Battle GameGondor14 paint colours
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PaintingWD 365 · p. 35

Painting the Ruins

Chris Peach and Chad Mierzwa’s Studio ruins use a black undercoat, sprayed stone foundation and pale drybrushing for a consistent set of buildings. Earth and green in the corners suggest accumulated dirt, while grey drybrushing distinguishes the wooden floors. A separate Angmar version begins with a vivid green foundation before muted stone highlights, and uses hamster bedding for cobwebs to strengthen the haunted effect.

War of the RingMiddle-earth Strategy Battle GameGondor9 paint colours
May 2010Read summary