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PAINTING·WHITE DWARF 365

Spear Haft and Final Details

May 2010·p. 100

THE SHORT VERSION

Painted lines create wood grain on the spear, with local green staining and a dark knot adding character. Other details reuse the armour methods, while bronze, silver and brown washes distinguish the axe icon. The base receives separate bone and slate treatments, and a red glaze enriches the shield icon. A reference sends readers to issue 362 for horn painting rather than repeating that recipe here.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Calthan BrownCharadon GraniteGraveyard EarthBleached BoneThraka GreenScorched BrownBoltgun MetalBadab BlackDevlan MudChainmailBaal RedDwarf BronzeTin BitzMithril SilverKhemri BrownSkull WhiteCodex GreyFortress GreyMechrite RedBlazing OrangeVomit BrownAsurmen Blue

Includes named paints in the explicitly reused metal and red-armour methods on pages 97 and 99. The helmet horns refer to issue 362 without specifying which of that page’s alternative recipes was used, so extra horn colours are not inferred.

FOLLOW A THREAD

Wood grain Brass Bone Slate Shield Horn reference

Back to the original

Find this article in White Dwarf 365, p. 100.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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Battle reportWD 365 · p. 13

The Battle for Quenelles

Andy Hall reports an unusually large recreation of the Red Pox attack on Quenelles, with eight Bretonnian dukes facing five Skaven lords. Alessio Cavatore coordinated the game, whose decisive massed cavalry charge gave the Bretonnians victory. Hall nevertheless claims a local success for the Skaven after his Plague Monks reached the walls, illustrating how a narrative mega-battle can produce memorable achievements even for the losing side.

Warhammer Fantasy BattlesBretonnia
May 2010Read summary
PaintingWD 365 · p. 25

Painting Knights of Dol Amroth

Duncan Rhodes gives a compact sequence for the Swan Knights’ polished metal, strong blue cloth and cool white heraldry. Black and blue washes define the armour before silver highlights, while progressively lighter blue layers distinguish the cloth. White begins from a grey foundation to retain shadows, with warm flesh and brown leather finishing the model; the shield repeats the same palette to keep the mounted regiment coherent.

War of the RingMiddle-earth Strategy Battle GameGondor14 paint colours
May 2010Read summary
PaintingWD 365 · p. 35

Painting the Ruins

Chris Peach and Chad Mierzwa’s Studio ruins use a black undercoat, sprayed stone foundation and pale drybrushing for a consistent set of buildings. Earth and green in the corners suggest accumulated dirt, while grey drybrushing distinguishes the wooden floors. A separate Angmar version begins with a vivid green foundation before muted stone highlights, and uses hamster bedding for cobwebs to strengthen the haunted effect.

War of the RingMiddle-earth Strategy Battle GameGondor9 paint colours
May 2010Read summary