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PAINTING·WHITE DWARF 365

Boar Fur

May 2010·p. 96

THE SHORT VERSION

Keith plans the boar’s stripe pattern on paper before painting, using real patterned fur to avoid an arbitrary cartoon effect. A muted brown coat is shaded, drybrushed and selectively highlighted before the black stripes are blocked in. Successive grey marks follow individual clumps of dark hair, keeping the pattern readable while retaining the sculpted fur’s texture and a restrained palette beneath the brighter rider.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Scorched BrownKhemri BrownOrkhide ShadeDevlan MudKommando KhakiChaos BlackCodex GreyFortress Grey

Only explicitly named Citadel paints and mediums are indexed; unnamed colours and third-party products are not guessed.

EXPLORE RELATED TOPICS

Painting techniques

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Find this article in White Dwarf 365, p. 96.

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Battle reportWD 365 · p. 13

The Battle for Quenelles

Andy Hall reports an unusually large recreation of the Red Pox attack on Quenelles, with eight Bretonnian dukes facing five Skaven lords. Alessio Cavatore coordinated the game, whose decisive massed cavalry charge gave the Bretonnians victory. Hall nevertheless claims a local success for the Skaven after his Plague Monks reached the walls, illustrating how a narrative mega-battle can produce memorable achievements even for the losing side.

Warhammer Fantasy BattlesBretonnia
May 2010Read summary
PaintingWD 365 · p. 25

Painting Knights of Dol Amroth

Duncan Rhodes gives a compact sequence for the Swan Knights’ polished metal, strong blue cloth and cool white heraldry. Black and blue washes define the armour before silver highlights, while progressively lighter blue layers distinguish the cloth. White begins from a grey foundation to retain shadows, with warm flesh and brown leather finishing the model; the shield repeats the same palette to keep the mounted regiment coherent.

War of the RingMiddle-earth Strategy Battle GameGondor14 paint colours
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PaintingWD 365 · p. 35

Painting the Ruins

Chris Peach and Chad Mierzwa’s Studio ruins use a black undercoat, sprayed stone foundation and pale drybrushing for a consistent set of buildings. Earth and green in the corners suggest accumulated dirt, while grey drybrushing distinguishes the wooden floors. A separate Angmar version begins with a vivid green foundation before muted stone highlights, and uses hamster bedding for cobwebs to strengthen the haunted effect.

War of the RingMiddle-earth Strategy Battle GameGondor9 paint colours
May 2010Read summary