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PAINTING GUIDE·WHITE DWARF 359

Kor’sarro Khan: Inner Cloak and Fur

November 2009·p. 98

THE SHORT VERSION

A rich lining introduces warmth against the pale armour. Brown fur receives controlled painted highlights as well as drybrushing, keeping the texture from becoming uniformly dusty. Washes tie the layers together before the brightest edges are restored. The article also encourages using animal references for alternative pelts.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Scorched BrownVermin BrownRed GoreBleached BoneDevlan MudBestial BrownVomit BrownGryphonne Sepia

All explicitly named paints and finishes are indexed under their historical source names. See the original for mixtures and application order.

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Fur Cloak Warm contrast

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Find this article in White Dwarf 359, p. 98.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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EditorialWD 359 · p. 1

Editorial: The Vermin at the Door

Mark writes as an increasingly alarmed Imperial scribe hearing rats outside his study. Jeremy Vetock’s new Skaven book becomes a forbidden scholarly account that confirms the rumours. References to Middle-earth and distant armoured heroes offer brief diversions from the threat. The playful introduction makes Imperial denial part of the issue’s launch theme.

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ReviewWD 359 · p. 8

Blood Pact

The novel begins a new Gaunt’s Ghosts story arc with the regiment stationed away from the front. A captured Chaos officer creates a dangerous intelligence problem. His insistence on speaking to Gaunt draws the commissar into events that threaten the apparent respite. The notice presents intrigue and pursuit alongside the series’ familiar military setting.

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Innocence Proves Nothing

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