AN INDEPENDENT WARHAMMER REFERENCE ARCHIVE ONLINE // EST. M026

PAINTING·WHITE DWARF 357

Lorenzo: Red Armour

September 2009·p. 45

THE SHORT VERSION

A red-and-brown foundation gives Anja precise control of the armour’s colour. Dark recesses and progressively brighter edges establish the form before a red glaze ties the stages together. The advice explains why orange highlights work better than simply adding white. Alternative shading colours can also change the temperature of the finished red.

AT THE PAINTING DESK

Paints in this article

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Find this article in White Dwarf 357, p. 45.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.