Lorenzo: Cloak and Loincloth
September 2009·p. 46
THE SHORT VERSION
Warm pale lining contrasts with the black outer cloth. Thin layers build the lining through brown and bone to white. The darker fabric receives controlled grey edge work. Completing both sides carefully avoids contaminating already finished surfaces and preserves the sharp shape of the cloak’s streamers.
AT THE PAINTING DESK
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Find this article in White Dwarf 357, p. 46.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.