Painting Masters: Keith Robertson

THE SHORT VERSION

Keith describes learning within the studio and seeking feedback to improve. His personal projects favour restrained colour and bases that extend a miniature’s narrative. The gallery ranges from Gollum’s resin-water scene to a Skink, Harlequin, Zug, Ork, Marine, Ratling and Genestealer Hybrid. He explains why retaining a sculptor’s original figure can be as deliberate as making extensive conversions.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Blood Red↗

All explicitly named paints and finishes are indexed under their historical source names. See the original for mixtures and application order.

Back to the original

Find this article in White Dwarf 354, pp. 80–84.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.