Drybrushing
October 2008·pp. 95–96
THE SHORT VERSION
The brush is worked nearly dry on absorbent paper before repeated strokes deposit a fine dusting on raised features. Skeleton bone, Plaguebearer flesh and green Space Marine armour demonstrate the technique on very different models, while the amount of paint determines the texture. A yellow glaze smooths overly chalky white highlights on an Orc’s green skin without erasing the underlying contrast. Gradual buildup allows several highlight strengths.
AT THE PAINTING DESK
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EXPLORE RELATED TOPICS
Back to the original
Find this article in White Dwarf 346, pp. 95–96.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.