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PAINTING·WHITE DWARF 343

Mordor Troll: Final Details

July 2008·p. 89

THE SHORT VERSION

The blade receives dark, layered blood with a glossy red finishing coat to suggest fresh wetness. The severed head repeats the Troll’s flesh mixture with additional grey, keeping the grisly detail within the model’s palette. Nails use fine growth lines, warm wash and pale edges, while tiny eye highlights sharpen the expression. The finished example and alternative kit assemblies show how these methods can support several distinct Troll models.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Scorched BrownScab RedBlood RedDevlan MudGloss VarnishFortress GreyGraveyard EarthGryphonne SepiaBleached BoneChaos BlackSkull White

The severed head additionally refers back to the flesh mixtures on page 85; those colours are indexed in the parent and skin records. Gloss Varnish is the explicit name used here.

EXPLORE RELATED TOPICS

Layering & highlighting Painting techniques

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Find this article in White Dwarf 343, p. 89.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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PaintingWD 343 · pp. 84–89

’Eavy Metal Masterclass: Mordor Troll

Fil Dunn uses pale, horizontally lined flesh to suggest a huge animal’s loose skin, contrasting it with dark armour and worn leather. Shared brown foundations unite the surfaces, while different kinds of highlights distinguish rough skin from scales, metal and straps. Repeated black washes tarnish the iron before silver chips and rust restore detail. Bloody steel, lined nails and small facial accents finish an army centrepiece whose apparent scale comes from texture as well as size.

Middle-earth Strategy Battle GameMordor25 paint colours
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PaintingWD 343 · p. 85

Painting the Troll’s Skin

Fil builds the flesh from dark brown through progressively paler skin mixtures, applying each stage in horizontal marks that preserve creases. The texture draws on large mammals and helps the model feel enormous. A glaze combining flesh and purple washes with matt varnish ties the area together, while cooler shading changes the face. The guide also explains painting from the inside out to protect finished outer details from earlier messy work.

Middle-earth Strategy Battle GameMordor7 paint colours
July 2008Read summary
PaintingWD 343 · p. 86

Painting the Scales

A brown base and liberal dark wash prepare the Troll’s rough skin patches before fine bone-tinted lines pick out individual scales. A final sharper edge increases their apparent hardness, while brown lining avoids the excessive contrast black would produce against the flesh. The accompanying advice distinguishes hard glossy surfaces from matt skin or cloth. The same basic sequence can therefore be adapted to other scaled creatures without applying identical highlights everywhere.

Middle-earth Strategy Battle GameMordor3 paint colours
July 2008Read summary