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PAINTING·WHITE DWARF 342

Finishing Touches: Obsidian and Fire

June 2008·p. 99

THE SHORT VERSION

Purple flesh colours define the tongue, while the sword and claws use sharp grey-white marks over black to suggest obsidian and growth lines. The burning skull reverses ordinary highlighting: white recesses form the hottest core and darker yellow, orange, red and black move towards the flame tips. Tiny pale marks suggest cinders. Joining the head and finishing the sand base completes the model after these deliberately different surface effects.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Hormagaunt PurpleLiche PurpleFortress GreyChaos BlackCodex GreySkull WhiteSunburst YellowBlazing OrangeScab RedDevlan MudVomit BrownBleached Bone

Only explicitly named Citadel paints and mediums are indexed; unnamed colours and third-party products are not guessed.

FOLLOW A THREAD

Flame painting Reverse highlighting Obsidian sword Claw growth lines Purple tongue Hot cinders Sand base

Back to the original

Find this article in White Dwarf 342, p. 99.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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CommunityWD 342 · pp. 10–11

Dark Elves: Coming in August

The Dark Elf preview announces an updated army book, returning personalities and new miniature kits for the raiders of Naggaroth. Lokhir Fellheart joins established characters, while plastic Cold Ones and Black Ark Corsairs expand the range. Repeater handbows give the Corsairs a new visible equipment choice. Short background describes the bitterness and cruelty behind their raids, connecting the coming release to their long conflict with the High Elves.

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CommunityWD 342 · p. 12

Warhammer World Summer Hobby Camp

Warhammer World announces five-day camps built around assembling, painting and playing with a new or expanded army. A selected battalion or battleforce, materials, tuition and a carrying case support the week’s project, with games testing the growing force. The page also lists forthcoming exhibitions and previews Aly Morrison’s new Bugman miniature. The programme turns the earlier hobby-camp proposal into bookable activities with a clear collecting goal.

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PaintingWD 342 · pp. 24–25

Painting Mordor Orcs

Neil Green offers pale and green Orc skin sequences, each built from a simple base, intermediate layer and highlight before a brown wash unifies the surface. Armour uses brighter metallic drybrushing followed by black shading. Brown and dark cloth repeat the same principle with earth or grey tones. The final washes soften transitions and restore recesses, giving a mixed collection a suitably worn appearance without demanding elaborate individual techniques.

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June 2008Read summary