Griffon: Painting the Beak and Claws
January 2008·p. 94
THE SHORT VERSION
A warm flesh base supports the beak’s yellow before thin brown-black shading darkens its point and pale edges restore contrast. The purple tongue follows its own blended sequence to bone and white. Talons instead use earthy greys with increasingly fine pale stripes, creating a harder material than the surrounding fur. Completing these areas separately lets Anja maintain distinct transitions on each small but conspicuous feature.
AT THE PAINTING DESK
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Find this article in White Dwarf 337, p. 94.
This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.