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PAINTING·WHITE DWARF 335

’Eavy Metal Masterclass: High Elf Prince

November 2007·pp. 94–99

THE SHORT VERSION

Neil Green develops a mounted Prince through five clearly mapped stages, keeping the rider and steed separate until the painting is complete. Blue-shadowed whites, polished silver and bright gold establish the characteristic High Elf finish, while the dark horse and red gems provide contrast. Thin translucent layers produce the highlights before fine edges, eyes and reflected-light points finish the details. A separately illustrated stone base gives the character a suitably elaborate setting.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Chaos BlackShadow GreyRegal BlueBoltgun MetalShining GoldScorched BrownCharadon GraniteDark Angels GreenMordian BlueRed GoreDark FleshSpace Wolves GreyChainmailBestial BrownSnot GreenChestnut InkCodex GreyBlood RedMithril SilverUltramarines BlueSkull WhiteBurnished GoldVomit BrownFortress GreyElf FleshDwarf FleshBlazing OrangeFiery OrangeCalthan BrownBlack InkKhemri BrownDheneb StoneHawk Turquoise

All named recipe colours are indexed from the visual labels. Space Wolf Grey in the source is normalised to the established Citadel name Space Wolves Grey.

EXPLORE RELATED TOPICS

Basing Layering & highlighting Painting armour Painting cloth & leather Painting techniques

Back to the original

Find this article in White Dwarf 335, pp. 94–99.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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EditorialWD 335 · Inside cover

The High Elves March to War

Grombrindal grudgingly admires the High Elves’ shining ranks while recording their author as another Elf-friend in his book of grudges. The new army book, chariot, heroes and dragon lead the issue, with a city campaign and Baneblade workshop extending Apocalypse coverage. Middle-earth monsters provide a final threat, making the editorial’s tour of the contents a characterful exchange between Dwarven pride and the appeal of impressive new armies.

Warhammer Fantasy BattlesWarhammer 40,000High Elves
November 2007Read summary
InterviewWD 335 · pp. 27–43

Chosen of Asuryan: High Elf Design Notes

Adam Troke rebuilds the High Elves around the identity found in their accumulated background: an ancient, dwindling people whose soldiers are exceptionally skilled. Always Strike First and a more generous selection of elite units make that identity visible in play, while three dragon ages and a Dragon Mage restore their old allies to prominence. Expanded history, character illustrations, themed armies and practical painting advice connect the revised rules with the visual and narrative character of Ulthuan.

Warhammer Fantasy BattlesHigh Elves
November 2007Read summary
ModellingWD 335 · pp. 34–35

Heroes of Ulthuan

The annotated plastic frames identify the pieces that turn one character set into a mounted Prince and a foot Noble, and another into an Archmage and Mage. Alternative heads, weapons and decorative fittings allow each figure to express a particular role and provincial identity. Studying the component keys makes it easier to plan a pair of complementary leaders and select their equipment before assembly.

Warhammer Fantasy BattlesHigh Elves
November 2007Read summary