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PAINTING·WHITE DWARF 332

Selective Drybrushing: Skaven Rat Ogre

August 2007·p. 86

THE SHORT VERSION

The Rat Ogre’s fur receives two drybrushed greys before the remaining surfaces are basecoated, keeping the messiest work away from finished details. Skin, green cloth and brass fittings then progress through cleaner layers and highlights. Pale claws, gums, straps and raised welts make the mutated anatomy readable, while a simple earth-and-bone base completes the contrast between rough texture and smoother flesh.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Chaos BlackCharadon GraniteAstronomican GreyScorched BrownTallarn FleshDark Angels GreenMechrite RedTin BitzCalthan BrownBrazen BrassGraveyard EarthElf FleshShining GoldSnot GreenBrown InkBronzed FleshBoltgun MetalKommando KhakiBleached BoneBurnished GoldMithril SilverSnakebite LeatherSkull WhiteRotting FleshBestial Brown

Only explicitly named Citadel paints and mediums are indexed; unnamed colours and third-party products are not guessed.

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Rat Ogre Selective drybrushing Fur Mutated skin Layering

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Find this article in White Dwarf 332, p. 86.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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PaintingWD 332 · pp. 38–39

Painting Morannon Orcs

Mark Jones creates a coherent warband by giving every Orc the same worn armour and limiting the skin palette to four related treatments. Dark metallic bases and a brown-black wash establish rust before lighter metal picks out the plates. Variations in green or brown flesh prevent uniformity, while a repeated red Eye of Sauron on the shields makes the varied figures read as a single organised force.

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PaintingWD 332 · p. 61

Citadel Toolbox: Citadel Paints, Part Two

The second three-step chart applies dark, middle and highlight colours to metals, wood, skin and bone. Its metallic examples vary the initial shadow and final brightness, while the flesh section includes human, green and more unusual tones. A complete Empire soldier shows how these combinations work together across hair, equipment, clothing and base, offering a practical reference for a coherent gaming miniature.

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InterviewWD 332 · pp. 76–81

Painting Masters: Darren Latham

Darren describes progressing from store painting expert to ’Eavy Metal through practice, planning and attention to contrast. His collection demonstrates restrained conversions, elaborate freehand and carefully placed spot colours, from Dark Angels and Eldar to a huge Avatar painted from its brightest inner areas outwards. He also discusses non-metallic metal as an advanced, deliberately stylised technique, presenting it as an optional artistic challenge rather than a necessary standard.

Warhammer 40,000Warhammer Fantasy BattlesDark Angels5 paint colours
August 2007Read summary