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PAINTING·WHITE DWARF 332

’Eavy Metal Masterclass: Gorbad Ironclaw

August 2007·pp. 88–93

THE SHORT VERSION

Neil Langdown paints Gorbad in separate components so the heavily armoured rider and enormous boar remain accessible throughout. Gnarla’s fur, skin and yellow plates receive different textures, while a paler green face keeps the rider distinct from his red armour. Subtle woodgrain, checks, chipped edges and the sun emblem build character through careful detail. The guide combines broad material treatment with fine finishing rather than relying on one technique everywhere.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Chaos BlackBestial BrownScorched BrownBronzed FleshGraveyard EarthCodex GreyBoltgun MetalDwarf FleshBlack InkBrown InkDark FleshLiche PurpleScaly GreenGolden YellowChainmailElf FleshBleached BoneSkull WhiteFortress GreyBubonic BrownDesert YellowMithril SilverGoblin GreenDark Green InkRotting FleshScab RedBlood RedSnakebite LeatherKommando KhakiBlazing OrangeBlue InkKhemri BrownVomit Brown

Only explicitly named Citadel paints and mediums are indexed; unnamed colours and third-party products are not guessed.

EXPLORE RELATED TOPICS

Assembly & preparation Freehand & heraldry Painting techniques Weathering

Back to the original

Find this article in White Dwarf 332, pp. 88–93.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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PaintingWD 332 · pp. 38–39

Painting Morannon Orcs

Mark Jones creates a coherent warband by giving every Orc the same worn armour and limiting the skin palette to four related treatments. Dark metallic bases and a brown-black wash establish rust before lighter metal picks out the plates. Variations in green or brown flesh prevent uniformity, while a repeated red Eye of Sauron on the shields makes the varied figures read as a single organised force.

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PaintingWD 332 · p. 61

Citadel Toolbox: Citadel Paints, Part Two

The second three-step chart applies dark, middle and highlight colours to metals, wood, skin and bone. Its metallic examples vary the initial shadow and final brightness, while the flesh section includes human, green and more unusual tones. A complete Empire soldier shows how these combinations work together across hair, equipment, clothing and base, offering a practical reference for a coherent gaming miniature.

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InterviewWD 332 · pp. 76–81

Painting Masters: Darren Latham

Darren describes progressing from store painting expert to ’Eavy Metal through practice, planning and attention to contrast. His collection demonstrates restrained conversions, elaborate freehand and carefully placed spot colours, from Dark Angels and Eldar to a huge Avatar painted from its brightest inner areas outwards. He also discusses non-metallic metal as an advanced, deliberately stylised technique, presenting it as an optional artistic challenge rather than a necessary standard.

Warhammer 40,000Warhammer Fantasy BattlesDark Angels5 paint colours
August 2007Read summary