EditorialWD 328 · Inside cover
The editorial introduces the Harlequins as guardians of the memory of the Eldar Fall whose performances and warfare are inseparable. Holo-fields, flip-belts and exceptional training explain their elusive battlefield presence. Alongside these dramatic warriors, Foundation Paints promise a practical change to the hobby: solid basecoats that can speed either mass army painting or more elaborate display work.
Warhammer 40,000Eldar
CommunityWD 328 · p. 18
Warhammer World’s gaming arena begins a programme of exhibitions displaying original paintings and miniatures normally seen only in reproduction. The first show draws on the Empire, followed by Dark Angels imagery and a personal selection from John Blanche. The article links these displays to the previous Nottingham Castle exhibition’s success, making the developing visual history of the hobby accessible alongside its gaming events.
Warhammer Fantasy BattlesWarhammer 40,000
InterviewWD 328 · pp. 24–29
Andy Hall speaks to Jes Goodwin and Phil Kelly about reviving the Harlequins after more than fifteen years. Cleaner sculpted surfaces leave painters room for patterns, while elevated poses and paired faces communicate movement and duality. The rules place a flexible but fragile troupe within the Eldar army, using psychic concealment, terrain freedom and repeated assault to preserve a theatrical identity without overshadowing Aspect Warriors.
Warhammer 40,000Eldar