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LORE·WHITE DWARF 326

The City-state of Nuln

February 2007·p. 50

THE SHORT VERSION

Nuln combines art, learning and industry, with its Imperial Gunnery School training crews for armies throughout the Empire. Verena’s scales and other learned symbols accompany cannon and bridge motifs on its banners. Black uniforms have a practical purpose as well as a visual identity: they conceal the soot generated by fighting beside so much artillery.

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LoreWD 326 · pp. 14–15

News: The Harlequins

The returning Harlequins are introduced as travelling performers who move between craftworlds, Exodite settlements and Commorragh through the webway. Their artistry conceals formidable martial skill and a mysterious allegiance to the Laughing God. Jes Goodwin’s forthcoming models emphasise elaborate costumes and wargear, giving the faction a visual identity that invites particularly ambitious painting.

Warhammer 40,000Eldar
February 2007Read summary
LoreWD 326 · pp. 44–57

Colours of the Empire

The Empire’s uniforms and banners reveal a federation of proud provinces and self-governing cities rather than a culturally uniform nation. Provincial histories, local gods and remembered victories explain colours and symbols that might otherwise seem decorative. The guide follows these meanings from state troops and knightly orders into shrines and buildings, showing how a collection can communicate its regional loyalties through heraldry.

Warhammer Fantasy BattlesThe Empire13 paint colours
February 2007Read summary
LoreWD 326 · pp. 46–47

The Grand Principality of the Reikland

The Emperor’s wealthy province fields disciplined troops in off-white, while Altdorf uses red and blue and celebrates resistance to the undead in its banner. Bögenhafen’s purple advertises commercial wealth. The Carroburg Greatswords’ dark red recalls a siege in which their original white uniforms became bloodstained, making regional variations records of particular histories.

Warhammer Fantasy BattlesThe Empire7 paint colours
February 2007Read summary