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PAINTING·WHITE DWARF 317

Eavy Metal: Heroes of the Tau Empire

May 2006·pp. 68–69

THE SHORT VERSION

Aun’Va, Commander Farsight and Shadowsun demonstrate three approaches to the Tau range: aged flesh and ornate bronze, vivid red armour and exceptionally clean white panels. Fil Dunn, Kirsten Williams and Neil Langdown explain details that distinguish the named characters, while a compact palette reference covers common Tau materials. The white-armour walkthrough emphasises thin opaque layers and careful recess lining rather than an overall ink wash or drybrushing.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Brazen BrassChainmailPurple InkScab RedRed GoreBlood RedSkull WhiteRed InkBoltgun MetalBlue InkMithril SilverCodex GreyFortress GreyShadow GreyElf FleshVomit BrownBronzed FleshBleached BoneChaos Black

All explicitly named paints in the constituent character tutorials and colour wheels are indexed; generic varnish and unnamed undercoat colours are not guessed.

FOLLOW A THREAD

Aun’Va Farsight Shadowsun White armour Tau colour wheels

Back to the original

Find this article in White Dwarf 317, pp. 68–69.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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EditorialWD 317 · pp. 42–43

Standard Bearer: Summer of War

Jervis Johnson traces the global summer campaigns back to Ichar IV in 1995, when mailed results, stories and photographs decided whether an Imperial world survived invasion. Internet reporting has made participation easier, but he sees the essential attraction as a shared reason to play and create memorable battles. Medusa V provides the latest opportunity, and Jervis asks participants to contribute narratives and unusual scenarios as well as recording wins and losses.

Warhammer 40,000Warhammer Fantasy Battles
May 2006Read summary
LoreWD 317 · pp. 44–53

Index Imperialis: The Firstborn Sons of Vostroya

Vostroya’s elite Firstborn carry an inherited debt from the Horus Heresy, when the factory world refused to divert workers into soldiers. Guilliman’s settlement binds every family’s eldest son to service, with continuous replacement drafts preserving old regiments and their brotherhood. The feature connects this obligation to hand-crafted weapons, harsh training and stubborn pride, then explores the visual design, Studio painting methods and three ways to represent the regiment in the game.

Warhammer 40,000Imperial Guard23 paint colours
May 2006Read summary
InterviewWD 317 · pp. 48–49

Birth of the Vostroyan

John Blanche explains how eighteenth-century soldiers and Russian Cossacks informed the Firstborn’s archaic appearance. Early sketches emphasise ornate long guns, imposing fur hats, distinctive officers and ritual details rather than centrally standardised equipment. He treats the drawings as prompts for sculptors instead of rigid instructions, explaining why the finished models can differ while retaining the character established by the initial concepts.

Warhammer 40,000Imperial Guard
May 2006Read summary