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PAINTING·WHITE DWARF 307

Combining Colours and Materials

July 2005·p. 140

THE SHORT VERSION

Multiple examples combine painted sand, gravel, flock, filler, foliage and static grass into less uniform bases. Contrasting brown and green patches let a model blend with different tables, while ink washes can shade flock or mixed herbs. A detailed finish paints separate earth and stone areas before a unifying bone drybrush and grass highlights. An image-only sidebar uses Dark Green Ink with either pale bone or green-and-bone drybrushing to alter static grass.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Scorched BrownSnot GreenBestial BrownCatachan GreenBubonic BrownSnakebite LeatherBleached BoneBlack InkBrown InkChaos BlackCodex GreyFortress GreyArdcoatGloss VarnishDark Green InkGoblin Green

Only explicitly named paints used in the feature are indexed.

EXPLORE RELATED TOPICS

Painting techniques Washes & shading

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Find this article in White Dwarf 307, p. 140.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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PaintingWD 307 · pp. 86–87

Claws and Effects

Graveyard Earth and generous Brown Ink establish the Carnifex’s chitin, followed by pale drybrushing and fine carapace stripes that resemble horn. The underside is warmer and lighter, while black claws and spines provide contrast. Red ink and gloss emphasize the soft vents, the tongue receives Tentacle Pink and Purple Ink, and toxin blisters are tinted green and purple. The guide recommends painting separate parts and removing mould lines before washes expose them.

Warhammer 40,000Tyranids14 paint colours
July 2005Read summary
PaintingWD 307 · pp. 138–141

Hobby Supplies: Basing

Adi Wood treats bases as an important part of an army’s appearance, matching overall colour to likely gaming tables and combining textures for variety. Worked examples cover sand, gravel, flock, static grass, snow, putty craters and small pools, followed by layered mixed-material finishes. The guide explains sealing loose texture and tinting static grass after application. A closing gallery shows different approaches on Farsight, Typhus and a Silver Helm, without adding unprinted recipes for those models.

22 paint colours
July 2005Read summary
PaintingWD 307 · p. 139

Painting Modelling Sand

Several sand finishes range from dark brown and ochre to reddish earth, ink-stained natural sand and green ground. Step sequences use controlled overbrushing and progressively lighter drybrushing to reveal grains without obscuring their darker recesses. The accompanying application advice seals loose texture with diluted PVA and recommends adding static grass in patches over other materials, with optional pale or yellow-brown highlights to tone down its artificial brightness.

12 paint colours
July 2005Read summary