PaintingWD 494 · p. 6
Chris Innes supplies the studio Ripperdactyl recipe and explains how to reduce the risk of freehand mistakes. Painting the wing markings over the basecoat before shading means corrections can use one known colour rather than an uncertain blend. Warm orange skin, pale membranes and darker brown markings are developed through the accompanying base, wash and highlight stages.
Age of SigmarSeraphon8 paint colours
PaintingWD 494 · pp. 30–33
Lewis Collins completes the Space Marines half of Leviathan with an efficient, weathered Tome Keepers scheme. A pale undercoat, wash and sponged chips establish the armour, then inexpensive crushed chalk adds dirt around joints and feet. Careful helmet and company markings preserve the Chapter’s heraldry, and separate treatments for the Librarian, Apothecary and bases keep specialist models recognisable.
Warhammer 40,000Space Marines18 paint colours
PaintingWD 494 · pp. 76–85
Eight ’Eavy Metal painters use Corsair miniatures to explore contrasting interpretations of Aeldari pirates. Their entries range from warm leather and weathered metal to vivid orange, dark Commorrite luxury and shimmering jade, with conversions and elaborate bases explaining each character’s history. Jes Goodwin, Darren Latham and Gus Petrie discuss composition, texture and colour before unanimously awarding Max Faleij’s refined Void Dragon first place.
Warhammer 40,000Kill TeamAeldari