CampaignWD 488 · pp. 126–129
Rob Crouchley follows the Gorvos twins defending Two Tunnels after the Great Darkness lets cultists surge through the underhive. A ring of burning gunk protects their factorum and provides the setting for the studio’s second campaign cycle. Van Saar face the Anathema Helot cult in a costly defeat: even the winners struggle to afford treatment, while Tribune reports record similarly bitter results elsewhere.
NecromundaHouse Van Saar
ShowcaseWD 524 · pp. 34–49
The second Knight gallery collects individual Imperial and Chaos war machines painted and converted by studio hobbyists. Each contributor ties a striking model to its pilot, household or personal history, then explains practical choices in construction or colour. The spread ranges from a walking Dark Angels shrine to weathered renegades and daemonic engines, with compact recipes that make the varied armour and metal treatments reusable.
Warhammer 40,000Imperial Knights
ShowcaseWD 524 · pp. 116–117
A reader gallery celebrates magical characters in keeping with the issue’s wizard-duel theme. Carlos Gascon Rodriguez’s Be’lakor leads the display, followed by Scott Burns’s Slann Starmaster, Alex Magotti’s Goblin Shaman, Marc Tippler’s Swampcalla Shaman and Pot-grot, and Kev Lawrence’s multiple renditions of Gandalf. The photographs offer contrasting approaches to powerful spellcasters and characterful assistants without supplying named paint recipes.
Age of SigmarMiddle-earth Strategy Battle GameSlaves to Darkness