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PAINTING·WHITE DWARF 487

Brush Tips: Angron, the Red Angel

April 2023·pp. 104–107

THE SHORT VERSION

Martin Peterson describes the references and colour decisions behind the studio Angron. Red skin echoes World Eaters armour but shifts from bruised extremities to a fiery face, using very deep shadows and harsh vein highlights. Bronze plate and distinct brass trim preserve the history of the Armour of Mars beneath accumulated blood, oil and dirt.

Cool verdigris, teal wing highlights and leather details balance the warm skin and metals. The weapons support the character without taking attention from him: the chainaxe remains weathered and practical, while fiery skulls give the daemon sword a restrained secondary focus. Detailed colour lists accompany the discussion of each surface.

AT THE PAINTING DESK

Paints in this article

Every named colour below is searchable across the archive.

Khorne RedEvil Sunz ScarletTuskgor FurFire Dragon BrightKarak StoneDorn YellowRhinox HideSquig OrangeBarak-Nar BurgundyAbaddon BlackStegadon Scale GreenSons of Horus GreenStormvermin FurNuln OilIonrach SkinWarplock BronzeRetributor ArmourIron WarriorsAuric Armour GoldLiberator GoldCanoptek AlloyBalthasar GoldStormhost SilverDoombull BrownDark ReaperIncubi DarknessWhite ScarAdministratum GreyBlack Templar

Only explicitly named paints used in the feature are indexed.

EXPLORE RELATED TOPICS

Painting metal Painting skin & faces Painting techniques Weathering

Back to the original

Find this article in White Dwarf 487, pp. 104–107.

This is an original summary. Refer to your magazine for the complete article, rules, images and painting steps.

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CommunityWD 487 · pp. 4–9

Contact!

Readers describe developing non-metallic metal skills and how gaming supports a child’s maths, reading and imagination. Grombrindal explains how daemons can manifest in separate realities through a timeless Realm of Chaos. The accompanying galleries include a seasonal Lady of Vines and a nature-inspired Tyranid collection, while a reader question draws out Celennar’s fur and metal recipes.

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PaintingWD 487 · p. 6

Painting Question: Celennar, Spirit of Hysh

Martyn Lyon’s Celennar starts from an overall brown base, with diluted dark washes deepening the fur and wing tips. Careful pale drybrushing follows the model’s fine textures and gives special attention to the belly and wings. Blue-green shaded silver links the spirit’s metallic ornaments to the rest of the Lumineth army.

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PaintingWD 487 · p. 7

Model of the Month: Lady of Vines

Sergey Bel chooses spring and summer for a Lady of Vines within an army representing all four seasons. Drybrushed light browns build the bark’s fine texture, while wet blending gives the distinctive vines smoother colour transitions. Black Library portrayals helped shape his interest in the character and the seasonal identity of the collection.

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